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Hyo-jin becomes pregnant later in life, but her daughter, In-ok, struggles to accept her choice. While Hyo-jin wishes to keep the baby, In-ok cannot understand her, and tension builds between them. Eventually, however, In-ok comes to recognize her mother's true feelings and chooses to support her.

Growing up with divorced parents, 15-year-old Haeun is left completely alone after losing her mother. Before she has time to grieve, she is confronted with a stack of unfamiliar documents filled with terms she has never seen before. They are the paperwork and administrative procedures she must complete to settle her mother's affairs and begin living on her own, but they are overwhelming for someone still so young. Her aunt visits from time to time and offers to help, yet her kindness seems to come with hidden intentions. With no one else to rely on, Haeun decides to seek out the father she doesn’t remember. After finally tracking down his phone number, she nervously calls, but only hears the ringing tone. He never answers. She tries again using her late mother's phone, but there is still no response. As a last attempt, Haeun prepares to leave him a voice message, but no words come out.

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Four women, who have lived for more than three decades within the confines of patriarchy and compulsory heterosexuality, gradually become entangled as they arrive at gender-queer and lesbian identities through different paths in life. Their testimonies and personal records, revealed through extended conversations and interviews, intersect with Adrienne Rich’s concepts of “lesbian existence” and the “lesbian continuum,” queer Korean history, letters, critical writings, and other diverse texts. The artist reconstructs these materials through acts of copying by hand, erasing, tearing, and repeated editing, creating an open narrative in which different times and voices intersect rather than binding personal memories into a single, complete story. Together with a professional performer, the participants transform emotions and memories that cannot be fully articulated through words or writing into movements of “swimming,” performing a language of the body in a public square. In this process, their bodies intertwine and question one another, moving toward what lies beyond language.

三流作家炳浩为了写作住进了汽车旅馆“Paradise”，在这里他遇见了准演员珠熙。珠熙的出现让炳浩获得了灵感，最终他完成了手稿。

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유튜브 쇼츠만 보다가 속절없이 서른 살을 맞이한 취준생. 자신의 유통기한이 끝나버렸다는 생각이 들자 몸이 썩어들어가기 시작한다. 그녀는 부패를 막기 위한 기기묘묘한 방법들을 시도하지만 몸은 계속 썩어들어가고, 결국 혼자만의 장례식을 치르기로 한다. 장례식 도중 그녀는 이 집에서 유일하게 시간이 멈추는 곳인 '냉동실’을 떠올리고, 최후의 수단으로 그 안으로 들어간다. 광활하고 척박한 설원 같은 냉동실 안, 그녀는 그곳에서 거대하고 기묘한 무언가와 뜻밖의 생명체를 마주한다.

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。